Kanha National Park, part of Project Tiger, is located in Madhya Pradesh, India..

   
Kanha National Park, part of Project Tiger, is located in Madhya Pradesh, India. The nearest airport and railhead is at Jabalpur (160 km, 3 hours by road). In the 1930s, Kanha area was divided into two sanctuaries, Hallon and Banjar, of 250 and 300  each. Kanha National Park was created on 1 June 1955. Today it stretches over an area of 940 kms in the two districts Mandla and Balaghat. Together with a surrounding buffer zone of 1009 kms and the neighboring 110 kms  Phen Sanctuary it forms the Kanha Tiger Reserve.
The forests of the Banjar valley and Halon valley, respectively forming Kanha’s western and eastern halves, had even, at the turn of the century, been famous for their deer and tiger population. By a special statute in 1955, Kanha National Park came into being. Since then, a string of stringent conservation programmes have been launched, for the overall protection of the park’s fauna and flora. It is one of the most well maintained National Parks in Asia, and a major attraction for avid wildlife buffs all over the world.
Fauna: Kanha boasts of about 22 species of mammals. Some of the inhabitants of this park are the gaur, the largest of the world’s cattle; The Sambar, The Largest Indian Deer; And The Chausingha, The Only Four-Horned Antelope in the world. Other frequent visitors include the Nilgai Antelope, The Sloth Bear, The Dhole, Or Indian Wild Dog, and an occasional Panther. Some 200 species of birds inhabit the park that includes the Cattle Egret, Black Ibis, Hawk Eagle and The Red-Wattled Lapwing. Shravantal is an old, earthen bound tank in the central Kanha meadows, which happens to be an important watering hole, for a large number of waterfowl in winter. Bamni Dadar, known as Sunset Point, is the most beautiful section of the park, and the view of the sunset from this spot is absolutely mesmerising. Quite a few animals can be sighted around this area, which include The Sambar, Gaur, The Four-Horned Antelope and The Barking Deer.
The Barasingha is undoubtedly, the jewel of Kanha, and drastic steps have been taken to rescue it from complete extinction. The enlargement of the grasslands, through village reallocation, has been responsible for this impressive achievement. Barasinghas exist almost totally on grass, and tall grass meadows are essential for their security. At the height of winter, between December and January, falls the rutting season of these animals, and huge groups can be easily spotted in the Kanha and Sonph meadows. A small, but significant number of Blackbucks also inhabit the central Kanha meado
But for all the astonishing diversity in its wildlife population, Kanha is best known as the habitat of the Tiger. Sighting and photographing this magnificent animal from Elephant back, is an unforgettable experience.

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The lowland forest is a mixture of sal (shorea robusta) and other mixed forest trees, interspersed with meadows. The highland forests are tropical moist dry deciduous type and of a completely different nature with bamboo on slopes (dendrocalamus strictus). A very good looking Indian ghost tree (kullu) can also be seen in the dense.
Kanha Tiger Reserve abounds in meadows or maidans which are basically open grasslands that have sprung up in fields of abundant villages, evacuated to make way for the animals. Kanha meadow is one such example. There are many species of grass recorded at Kanha some of which are important for the survival of Barasingha (Cervus duvauceli branderi). Dense forested zones with good crown cover has abundant species of climbers, shrubs and herbs flourishing in the understory. Aquatic plants in numerous “tal” (lakes) are life line for migratory and wetland species of birds.

Bandhavgarh-A small national park, but with the highest known density of tiger population in India

    Set amongst the Vindhyas, in Madhya Pradesh, Bandhavgarh is a small national park, but with the highest known density of tiger population in India. This is also known as White Tiger territory. These have been found in the old state of Rewa for many years. The other species found in abundance in Bandhavgarh are The Gaur or Indian Bison, The Sambar, The Barking Deer and The Nilgai.

Bandhavgarh National Park is located in Umaria district of Madhya Pradesh state in India. Bandhavgarh was declared a national park in 1968 with an area of 105 kms. The area is spread over the forest divisions of Umaria and Katni and totals 437 kms. The park derives its name from the most prominent hillock of the area, which is said to be given by Lord Rama to his brother Laxman to keep a watch on Lanka. Hence the name Bandhavgarh (Bandhav=Brother, Garh=Fort). This is a Small National Park, Compact, yet full of game. The density of the tiger population at Bandhavgarh is the highest known in India, famous for its Tigers. This is also white tiger country. These have been found in the old state of Rewa for many years.

The terrain is made of rocky hills, Sal forests and grazing areas, formerly agricultural land. The finest of these hills is the Bandhavgarh hill, on its highest point stands Bandhavgarh Fort. Though no records remain to show when the fort was constructed, it is believed to be about 2000 years old. Several dynasties have ruled the fort: for example, the Maghas from the 1st century A.D, the Vakatakas from the 3rd century; the Sengars from the 5th century, and the Kalachuris from the 10th century. The oldest signs of habitation are the caves dug into the sandstone, near the fort. Several of these contain Brahmin inscriptions dating from the 1st century B.C. Prior to becoming a National Park, the forest range around the region had been maintained as a Shikargarh, or game preserve, of the Maharajahs of Rewa. It was only in 1968, that the area was declared as a National Park. Since then, stringent steps have been taken to retain it as an unspoilt natural habitat.

There are 39 caves in the Bandhavgarh fort and in the surrounding hillocks up to a radius of about 5 km. The oldest cave is of 1st century. Several caves carry inscriptions in Brahmi script.

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The Great Himalayan National Park

   
Great Himalayan National Park: The National Park with an area of 620 sq. km. is located in Kullu District and has the representative area of temperate and alpine forests of Himachal. It has some the virgin coniferous forests of the State. Vast areas of alpine pastures and glaciers cap this park.
 
Fauna: This area has many important wildlife species of Western Himalayas, like Musk deer, Brown bear, Goral, Thar, Leopard, Snow leopard, Bharal, Serow, Monal, Kalij, Koklas, Cheer, Tragopan, Snow cock etc. Trekking of Rakti-Sar, origin of Sainj River and camping in alpine partures is unforgettable. Similar is the trekking route to Tirath the origin of Tirthan River. Visitors can contact Director, National Park at Shamshi or Range Officer wildlife at Sainj or Range Officer Wild Life at Sai Ropa (Banjar) for assistance and guidance. The forest department provides camping equipment and guides.

Lush coniferous forests, emerald meadows strewn with exotic flora, soaring snowy peaks and pristine glaciers make for an ideal Himalayan retreat.The secluded Sainj and Tirthan valleys are home to a plethora of fauna – wild mountain goats like the bharal, goral and serow, the brown bear and predators like the leopard and the elusive snow leopard. Different varieties of pheasants – monal, khalij cheer, tragopan and other exotic Himalayan birds can be found in the region. The Himalayas have been a source of awe and inspiration for millennia to countless individuals. They are the largest, tallest and geologically youngest mountains on our planet. In India, they are the Dehvbumi–the home of the gods. The Himalaya are also one of the most fragile mountain regions of the world and hold an enormous repository of biological diversity which is increasingly under pressure from human activities. The unique ecological aspects of the Western Himalaya led to the creation of the Great Himalayan National Park (GHNP) in the Kullu district of India’s mountain state of Himachal Pradesh. These features include biodiversity, sparse human populations, inaccessibility, little tourism, and a local economy based on traditional livelihoods.

The GHNP is at the junction of world’s two major faunal regions: the oriental to the south and palaearctic to the north. The temperate forest flora-fauna of GHNP represents the western most extension of the Sino-Japanese Region. The high altitude ecosystem of the Northwest Himalaya has common plant elements with the adjacent Western and Central Asiatic region. As a result of its 4,100 m elevation range the Park has a diversity of zones with their representative flora and fauna, such as alpine, glacial, temperate, and sub tropical forests. These biogeographic elements are result of geological evolution of Himalaya which continues today from the action of plate tectonics and continental drift. Over 100 million years ago, the Indian sub-continent broke off from the large, southern landmass, Gondwanaland and moved north. It eventually slammed into the northern land mass, Laurasia, and formed the gigantic folded mountains of the Himalaya. Due to this union of Gondwanaland and Asiatic landmasses, exchange of flora and fauna was possible and this ultimately led to the unique biogeographical features in the region.

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The Hawa Mahal(Window Fort)-an interplay of red and pink sand stone, carefully and painstakingly outlined with white borders and motifs

   
Jaipur’s signature building, the Hawa Mahal, a multi layered palace, was built by Sawai Pratap Singh (grand son of Sawai Jai Singh and son of Sawai Madhoo Singh) in 1799 AD and Mr. Lal Chand Usta was the architect. Famous for it’s beehive like structure, the Hawa Mahal is an interplay of red and pink sand stone, carefully and painstakingly outlined with white borders and motifs. This five storey building, which looks out over the main street of the old city , is a stunning example of Rajput artistry, with its pink semi-octagonal and delicately honeycombed sandstone windows. It was originally built to enable ladies of the royal household, to watch the everyday life and processions of the city.
It forms part of the City Palace and extends the Zenana or women’s chambers, the chambers of the harem. Its original intention was to allow royal ladies to observe everyday life in the street below without being seen.

It has five stories and is constructed of red and pink sandstone, highlighted with white quakeee quick lime. The side facing the street outside the palace complex has 953 small windows, and the breeze (hawa) which circulates through these windows gives the palace its name, and keeps it cool even in hot months.

The entrance opens onto a courtyard with a double-storied building on three sides, and one on the eastern wing with three more stories, which is just one room wide. There are no stairs to reach the upper floors, only ramps.

The ‘Great Stupa’ at Sanchi was originally commissioned by the emperor Ashoka the Great in the third century BCE..

   
Sanchi is a small village in India, located 46 km north east of Bhopal, and 10 km from Besnagar and Vidisha in the central part of the state of Madhya Pradesh. It is the location of several Buddhist monuments dating from the third century BCE to the twelfth century CE. It is a nagar panchayat in Raisen district in the Indian state of Madhya Pradesh.

Sanchi, also known as Kakanaya, Kakanava, Kakanadabota and Bota-Sriparvata in ancient times is situated in the state of Madhya Pradesh. It is a religious place with historical and archaeological significance. Sanchi is famous in the world for stupas, monolithic Asokan pillar, temples, monasteries and sculptural wealth dating from 3rd century BC to 12th century AD.
The Sanchi stupas are noteworthy for their gateways as they contain ornamented depiction of incidents from the life of Buddha and his previous incarnations, “Bodhisattvas”, as described in the Jataka tales. Here, Gautam Buddha is depicted by symbols, such as the wheel, which represents his teaching.
Sanchi was virtually forgotten after the 13th Century until 1818, when General Taylor, a British Officer rediscovered it, half buried and well preserved. Later in 1912, Sir John Marshal, Director General of Archaeology, ordered the restoration work at the site.

The stupa was vandalized at one point, sometime in the second century BCE, an event some have related to the rise of the Sunga emperor Pusyamitra Sunga. It has been suggested that Pushyamitra may have destroyed the original stupa, and his son Agnimitra rebuilt it.[1] During the later rule of the Sunga, the stupa was expanded with stone slabs to almost twice its original size. The dome was flattened near the top and crowned by three superimposed parasols within a square railing. With its many tiers it was a symbol of the dharma, the Wheel of the Law. The dome was set on a high circular drum meant for circumambulation, which could be accessed via a double staircase. A second stone pathway at ground level was enclosed by a stone balustrade with four monumental gateways (toranas) facing the cardinal directions. The buildings which seem to have been commissioned during the rule of the Sungas are the Second and Third stupas (but not the highly decorated gateways, which are from the following Satavahana period, as known from inscriptions), and the ground balustrade and stone casing of the Great Stupa.

During Sunga times, several edifices were raised at Sanchi and its surrounding hills. The Asokan stupa was enlarged and faced with stones and decorated with blustrades, staircase and a harmika on the top. The reconstruction of Temple 40 and erection of Stupas 2 and 3 also date back to the same time. In the first century BC, the Andhra-Satavahanas, who had extended their sway over the eastern Malwa, caused the elaborately carved gateways to Stupa 1. From the second to 4th century AD, Sanchi and Vidisha came under the Kushanas and Kshatrapas and subsequently passed on to the hands of the Guptas. During the Gupta period, some temples were built and sculptures were added.

The largest stupa, known as the Great Stupa, is surrounded by a railing with four carved gateways facing all the four directions of the compass. The gateways were probably carved around 100 AD. Stupas are large hemispherical domes, containing a central chamber, in which the relics of the Buddha were placed. The stupas at Sanchi trace the development of the Buddhist architecture and sculpture at the same location beginning from 3rd century B.C. to 12th century A.D. One of the most interesting features of all the sculptures here, is the lack of images of the Buddha in human form. The carvings have a wonderful vitality and show a world where people and animals live together in happiness, harmony and plenty. Stylized depiction of nature is exquisite. Lord Buddha has been shown symbolically in inanimate figures. Presently under a UNESCO project, Sanchi and another Buddhist site, Satdhara, is being further excavated, conserved and environmentally developed.

Town of Mount Abu- The only hill station in Rajasthan

      
The town of Mount Abu, the only hill station in Rajasthan, is located at an elevation of 1220 meters. It has been a popular retreat from the heat of Rajasthan and neighbouring Gujarat for centuries. The Mount Abu Wildlife Sanctuary was established in 1960 and covers 290 km² of the mountain.

Mount Abu is home to a number of Jain temples. The Dilwara Temples are a complex of temples, carved of white marble, that were built between the 11th and 13th centuries AD. The oldest of these is the Vimal Vasahi temple, built in 1031 AD by Vimal Shah and dedicated to the first of the Jain Tirthankaras. The Lun Vasahi Temple were built in 1231 AD by the brothers Vastupal and Tejpal, who belonged to the Porwal Jain community. They were ministers of Raja Vir Dhawal, a local ruler of Gujarat.

The Achalgarh fort, built in the 14th century by Rana Kumbha of Mewar, stands nearby. It encloses several beautiful Jain temples, including the Achaleswar Mahadev Temple (1412) and the Kantinath Temple (1513)

Nakki Lake is another popular visitor attraction of Mount Abu.There is the Toad Rock on a hill near the lake. Raghunath Temple and Maharaja Jaipur Palace are also on hills near Nakki Lake.

The mountain is also home to several Hindu temples, including the Adhar Devi Temple, carved out of solid rock; the Shri Raghunathji Temple; and a shrine and temple to Dattatreya built atop the Guru Shikhar peak. The world headquarters of the Brahma Kumari order of lady renunciates is also located here, as is the World Spiritual University of the same denomination. There is also believed to be a footprint of Vishnu on top of Mount Abu. The Durga temple, Ambika Mata Temple lies in a cleft of rock in Jagat, just outside of Mount Abu.

Dilwara Jain temple

Wondrously carved in marble, the Dilwara Jain temples in Mount Abu(Rajasthan) enshrine various Jain ‘Tirthankaras’. Constructed out of white marble from Arasoori Hill, near Ambaji, 23 km from Abu Road, the temples are an outstanding example of Jain temple architecture.

Of the five shrines in this group, four are architecturally significant. They are built with white marble stones. Each has a walled courtyard. In the centre of the courtyard is the shrine with the image of the deity, Rishabhdev. Around the large courtyard, there are numerous small shrines, each housing a beautiful image of the tirthankaras with a series of elegantly carved pillars from the entrance to the courtyard. The ministers of the Solanki rulers of Gujarat had constructed all these temples during 11th and 13th centuries AD.
Vimal Vasahi is the oldest temple, which has been dedicated to Adinath, the first Jain tirthankara. Vimal Shah, minister of the then Solanki ruler of Gujarat, built it in the year 1031 A.D. The special feature of this temple is it’s ceiling which is circular in eleven richly carved concentric rings. The central ceiling of the temple is adorned with magnificent carving and it culminates into an ornamented central pendant. The pendant of the dome tapers down forming a drop or point, like a lotus flower. This is an astonishing piece of work. It symbolizes the divine grace coming down to fulfill human aspirations. Figures of 16 Vidya Devis (goddesses of knowledge) are carved on the ceiling.

The other Dilwara temples are the Luna Vasahi, Vastupala and Tejapala, named after the ministers of the then Vaghela ruler of Gujarat who built them in 1230 AD. Inspite of being plain and austere on the outside, the interiors of all these temples are covered with delicate carvings. Its most notable feature is that the brilliant intricacy and delicacy of the marble carving is so fine that in places the marble becomes almost transparent.

Dilwara temples are one of the best examples of craftsmanship, the genius of carving out so brilliant and intricate a shape out of a block of stone, such that it almost comes to life! The temple is a tourist’s paradise and a meditative sanctum for the devotees.

Mahabalipuram- Situated along the shores of the Bay of Bengal, One Of sculptures are excellent examples of Pallava art

   
Mahabalipuram is a temple town situated along the shores of the Bay of Bengal about 60 kms from the south Indian city of Chennai. There are several famous temples at Mahabalipuram; Shore Temple and ‘Ratha’ Cave Temples are the most famous amongst them.

The monuments are mostly rock-cut and monolithic, and constitute the early stages of Dravidian architecture wherein Buddhist elements of design are prominently visible. They are constituted by cave temples, monolithic rathas (chariots), sculpted reliefs and structural temples. The pillars are of the Dravidian order. The sculptures are excellent examples of Pallava art.

It is believed by some that this area served as a school for young sculptors. The different sculptures, some half finished, may have been examples of different styles of architecture, probably demonstrated by instructors and practiced on by young students. This can be seen in the Pancha Rathas where each Ratha is sculpted in a different style.As corporate and leisure travel management company our main aim is to provide quality service to tourists for Tours in India, as India is a land of diversity, having Great history of all religions, inspite all people live together, what is secret behind it, you know can by Tours in India, visiting tourist places in India. What is secret behind colourful, vibrant, incredibly attractive Rajasthan, get close touch by Tour of goa, Tous of rajasthan, Tours of Agra, Tours of Jaipur, Tours of Himachal

Shore Temple
The Shore Temples at Mahabalipuram, a coastal village 50 km south of Madras, was built in the 7th century, during the reign of Rajasimha, and they depict the final flowering of Pallava art. These temples are refreshingly uncluttered, unlike later grandiose Dravidian architecture and tower over the waves behind a protective breakwater. The temple with its beautiful polygonal dome enshrines Lord Vishnu and Shiva. These beautiful temples, ravaged by wind and sea have been declared world heritage by UNESCO.

Ratha’ Cave Temple
The magnificent ‘Ratha’ cave temples of Mahabalipuram was built by the Pallava king Narsimha in the 7th and 8th centuries. The beauty of the rock-cut sculpture of the temple is reflective of the artistic tastes of the erstwhile Pallava rulers. It is known especially for its rathas (temples in the form of chariots), mandapas (cave sanctuaries), giant open-air reliefs such as the famous ‘Descent of the Ganges’, and the temple of Rivage, with thousands of sculptures to the glory of Shiva.
There are eight rathas at Mahabalipuram, out of which five are named after the  ‘Pandavas’ (five brothers) of Mahabharata and one after Draupadi. The five rathas that can be seen are Dharmaraja Ratha, Bhima Ratha, Arjuna Ratha, Draupadi Ratha and Nakul Sahadev Ratha. They are constructed on the style of the Buddhist viharas and chaityas. The unfinished three-storey Dharmaraja ratha is the largest. The Draupadi ratha is the smallest, it is one-storeyed and has an interesting thatch-like roof. The Arjuna and Draupadi rathas are dedicated to Shiva and Durga respectively.

According to descriptions by early travel writers from Britain, the area near Mahabalipuram had seven pagodas by the sea. Accounts of Mahabalipuram were first written down by British traveller John Goldingham who was told of the “Seven Pagodas” when he visited in 1798.Travel management company in Delhi, we offer Tour services for all Tours in India, we Provide Hotel, Car rental, You can enjoy Tours For Rajasthan, Tours for Goa, Tours for srinagar, Tours for Agra, Tours For Himachal

An ancient port city and parts of a temple built in the 7th century may have been uncovered by the tsunami that resulted from the 2004 Indian Ocean earthquake. As the waves gradually receded, the force of the water removed sand deposits that had covered various rocky structures and revealed carvings of animals, which included an elaborately carved head of an elephant and a horse in flight. A small square-shaped niche with a carved statue of a deity could be seen above the head of the elephant. In another structure, there was a sculpture of a reclining lion. The use of these animal sculptures as decorations is consistent with other decorated walls and temples from the Pallava period in the 7th and 8th centuries.

city of Hyderabad, with its delightful blend of the ancient and the modern, presents to the onlooker an interesting skyline with modern buildings standing..

     
The city of Hyderabad, with its delightful blend of the ancient and the modern, presents to the onlooker an interesting skyline with modern buildings standing shoulder to shoulder with fascinating 400 year old edifices. It boasts of some fine examples of Qutab Shahi architecture – the Jami Masjid, the Mecca Masjid, Toli Masjid, and of course, the impressive symbol of Hyderabad, the Charminar.

The Charminar is a beautiful and impressive square monument, with each side measuring 20 m, and each of the edges having a pointed high minaret. It derives its name from these four gracefully carved minarets which soar to a height of 48.7 m above the ground, commanding the landscape for miles around. Charminar literally means ‘Four Spires’ (Char (Hindi) = four, Minar (Arabic manara) = spire/tower).

Unlike Taj Mahal, the fluted minarets of Charminar are built into the main structure. Inside the four-storied minarets 149 winding steps guide the visitor to the upper floor, the highest point one can reach, and providing a panoramic view of the city. There are 45 prayer spaces with a large open space in front to accommodate more for Friday prayers.

The Charminar is a massive arch built by Mohammed Quli Qutab Shah, in 1591 to commemorate the end of the plague in the city. The symbol of the city, the Charminar, is an impressive square monument with four minarets. The arch is illuminated daily in the evening, an unforgettable sight indeed.

The monument is a magnificent square edifice of granite, built upon four grand arches facing North, South, East and West. These arches support two floors of rooms and gallery of archways. At each corner of the square structure is a minaret rising to a height of 24 meters, making the building nearly 54 meters tall. It is these four (char) minarets (minar) that give the building, its name ‘Charminar’. Each minar stands on a lotus-leaf base, a special recurrent motif in Qutub Shahi buildings.
The first floor was used as a madarasa (college) during the Qutub Shahi period. The second floor has a mosque on the western side, the dome of which is visible from the road, if one stands some distance away. A spectacular view of the city may be had from the roof of the Charminar, although, due to severe overcrowding of the minarets, only visitors with special permission from the Archaeological Survey of India, Hyderabad Circle are allowed to go to the top of the minarets. The clocks above each of the four archways were added in 1889.

Walking around the Charminar area, one is constantly surprised by vestiges of the past intermingling with the present. Towards the Southeast of the Charminar is located imposing edifice of the Nizamia Unani Hospital. About 50m to the West, the line of shops in Lad Bazaar is interupted by an old, crumbling brown wall, which marks the entrance to the old Nizama’s Jilau Khana (parade ground). The grounds are now being used for the development of a large commercial complex. Further down, a road to the left leads to the Khilawat Complex (Chowmahalla Palace). The Lad Bazaar road terminates in a square called Mahaboob Chowk where a large 19th century clock-tower looms over a delicate white mosque of the same period.
The Charminar is about 7 km from Hyderabad railway station. It is 5 km from Hyderabad bus station.Excellent private transport is available from all parts of the twin-cities. Called the “Arc De Triumph of the East”, Charminar symbolises Hyderabad. As old as the city itself, the four imposing towers of this edifice stand in the heart of the old city as a hallmark of the Qutub Shahi era. As corporate and leisure travel management company our main aim is to provide quality service to tourists for Tours in India, as India is a land of diversity, having Great history of all religions, inspite all people live together, what is secret behind it, you know can by Tours in India, visiting tourist places in India. What is secret behind colourful, vibrant, incredibly attractive Rajasthan, get close touch by Tour of goa, Tous of rajasthan, Tours of Agra, Tours of Jaipur, Tours of Himachal

The Charminar looks spectacular particularly in the nights when it is illuminated. This graceful monument is very beautiful on the inside, and is particularly known for its carvings and moldings. The painstaking details result in a graceful, lace-like look. During Hyderabad Visit please give a look to Charminar.

Udaipur-The City Of Lakes or Venice of The East

   
Udaipur is famous around the world as the City Of Lakes or Venice of The East. The Pichola Lake, Fateh Sagar, Udai Sagar and Swaroop Sagar in this city are considered some of the most beautiful lakes in the state. Fateh Sagar contains two small islands, one of which contains USO, or Udaipur solar observatory, and the other one has a beautiful garden called Nehru Garden.
Udaipur is well connected to the world through land, rail and air. It is known for its Rajput-era palaces. Particularly famous is the Lake Palace, which entirely covers a small island in the Pichola Lake. Many of the palaces have been converted into luxury hotels. The City Palace, or the Palace of the then King of Mewar, is one of the most beautiful places to visit in the city.
Udaipur is also home to the Udaipur Solar Observatory, one of the six stations participating in the international Global Oscillations Network Group (GONG) which is aimed at the determination of the physical properties of the solar interior.
Maharana Udai Singh II founded Udaipur in 1568 after his citadel Chittorgarh was sacked by Mughal Emperor Akbar. The legend says that Udai Singh was guided by a holy man meditating on the hill near Pichola Lake to establish his capital on this very spot. Surrounded by Aravali Ranges, forests and lakes this place was less vulnerable than Chittorgarh. Maharana Udai Singh died in 1572 and was succeeded by Maharana Pratap who valiantly defended Udaipur from subsequent Mughal attacks. Maharana Pratap is the most revered Rajput icon and gallantly fought the Mughal at the Haldighati in 1576. Udaipur is also the centre for performing arts, craft and its famed miniature paintings.
City Palace towers over the Pichola Lake. Maharana Uday Singh initiated the construction of the palace but succeeding Maharanas added several palaces and structures to the complex, retaining the uniformity of design. The entry to the palace is from the Hati Pol, the Elephant gate. The Bari Pol or the big gate brings one to the Tripolia, the Triple gate. It was once a custom that the Maharana would weigh under this gate in gold and silver, which was distributed to the populace. Now, it’s the main ticket office. Balconies, cupolas and towers surmount the palace to give a wonderful view of the lake. Suraj Gokhada or the ‘Balcony of Sun’ is where the Maharana used to grant public audiences, mainly to boost the morale of the people in difficult times. The Mor Chawk is the peacock square and gains its name from the vivid blue mosaic in glass of a peacock that decorates its walls.
The main part of the palace is now preserved as a museum displaying a large and diverse array of artefacts. The City Palace museum is entered through the Ganesh Deori meaning the door of Lord Ganesh. This leads to the Rajya Angan, the royal courtyard which is the very spot where Maharana Udai Singh met the sage who told him to found a city here. An armoury museum exhibits a huge collection of protective gear and weapons including the lethal two-pronged sword. The rooms of the palace are superbly decorated with mirrors, tiles and paintings. Manak Mahal or the Ruby palace has a lovely collection of glass and mirror work while Krishna Vilas display a rich collection of miniature paintings. Moti Mahal or the Pearl palace has beautiful mirror work and the Chini Mahal has ornamental tiles all over. The Surya Chopar or the Sun Square depicts a huge ornamental sun symbolising the sun dynasty to which the Mewar dynasty belongs. The Bari Mahal is a central garden with a magnificent view of the city. Some more beautiful paintings can be seen in the Zenana Mahal or the ladies chamber, which leads to Lakshmi Chowk, a beautiful white pavilion.As corporate and leisure travel management company our main aim is to provide quality service to tourists for Tours in India, as India is a land of diversity, having Great history of all religions, inspite all people live together, what is secret behind it, you know can by Tours in India, visiting tourist places in India. What is secret behind colourful, vibrant, incredibly attractive Rajasthan, get close touch by Tour of goa, Tous of rajasthan, Tours of Agra, Tours of Jaipur, Tours of Himachal
on the Golden Quadrilateral, lying midway between Delhi and Mumbai on National Highway (NH) 8 and is around 650 kms from either metro. The roads in this part of the country are really nice, paved in the middle, and fit for self-driving. One can either drive from Jaipur (around 7 hours) or Ahmedabad (4-5 hours), or take a Rajasthan Tourism bus from India Gate in Delhi. Some of the important destinations are Agra 630 km, Ahmedabad 262 km, Jaipur 406 km, Jodhpur 275 km and Mount Abu 185 km.
Udaipur is a great destination for Tours in India, all facilities like car hiering, Hotel booking you can get easily during Tour to Rajasthan.

Interesting finds include a large number of stone images, beautiful terracotta objects and stucco figures that once embellished the palaces at Hampi

  
Hampi is situated on the banks of the Tungabhadra river. It is 353 km from Bangalore, 254 km from Bijapur and 74 km away from Bellary. Hospet, 13 km away, is the nearest taluka headquarters. The chief language spoken is Kannada. The principal industries of the village are agriculture, the support of the Virupaksha temple and some other local holy places in the vicinity, and tourism. The annual Vijayanagar Festival is organized by the Government of Karnataka in November. Due to the presence of several mineral deposits in this region (iron-ore, manganese), mining of these minerals has been going on for many years now. But a recent boom for the supply of iron-ore in the international market has led to excessive mining in this district. The World Heritage Site at Hampi as well as the Tungabhadra Dam are now under threat.

Hampi, the 14th century capital of one of the greatest empires of medieval India called the Vijayanagar Empire, lies in the Deccan heartland, in the state of Karnataka. The 14th Century ruins of Hampi lie scattered in about 26 sq. km areas, amidst giant boulders and vegetation. Protected by the tempestuous river Tungabhadra in the north and rocky granite ridges on the other three sides, the ruins silently narrate the story of grandeur, splendour and fabulous wealth. The splendid remains of palaces and gateways of the broken city tells a tale of man’s infinite talent and power of creativity together with his capacity for senseless destruction.

 The Vitthala temple in Hampi is an excellent example of Vijayanagar style. The monolithic statues of Lakshmi, Narasimha and Ganesha are noted for their massiveness and grace. The Krishna temple, Pattabhirama temple, Hazara Ramachandra and Chandrasekhara temple as also the Jain temples, are other examples. Majority of these temples in Hampi were provided with widespread bazaars flanked on either side by storyed Mandapas.
Among secular edifices, mention may be made of the Zenana enclosure wherein a massive stone basement of the Queen’s palace and ornate pavilion called ‘Lotus-Mahal’ are the only remnants of a luxurious ‘Antahpura’. The corner towers of arresting elevation, the Dhananayaka’s enclosure (treasury), the Mahanavami Dibba carrying beautifully sculptured panels, a variety of ponds and tanks, Mandapas, the elephant’s stables and the row of pillared Mandapas are some of the important architectural remains of Hampi
The monuments of Vijayanagar city, also known as Vidyanagara in honour of the sage Vidyaranya was built between 1336-1570 AD, from the times of Harihara-I to Sadasiva Raya. A large number of royal buildings were raised by Krishnadeva Raya (AD 1509-30), the greatest ruler of the dynasty. Hampi is an ideal place for tour, during your trip for tours in India. Hampi is a great destination of Tourist Places In India.